RCA 2022 Bibliography:
Displayed in chronological order:
'About’:
'Terminal inequality’:
Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 (p. 163) <https://doi.org/10.1386/aps_00014_1>. [accessed 10 March 2021]
'redrawing the maps of power':
Alison Jones, Kuni Jenkins, ‘Rethinking Collaboration’ in Handbook of Critical and Indigenous Methodologies, ed. by Norman K. Denzin, Yvonna S. Lincoln, and Linda Tuhiwai Smith (Los Angeles: Sage, 2008). p. 478.
'tending carefully':
Sera Waters, ‘A care-full remembering of Australian settler colonial home-making traditions’, (2018), quoted in Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 (p.168) <https://doi.org/10.1386/aps_00014_1> [accessed 10 March 2021]
'quiet disruption':
‘Manifesto’, Quiet Disruptors <https://quietdisruptors.com/manifesto/> [accessed 20 January 2022].
'delicate activism':
Sue Davidoff, Allan Kaplan, ‘A Delicate Activism A Phenomenological Approach to Change’ (Cape Town: The Proteus Initiative, 2014)
'radical compassion' and 'openness to the unknown':
Linda Tuhiwai Smith, Decolonizing Methodologies: Research and Indigenous Peoples, 2nd edn (London: Zed Books, 2012).p. xii.
’feminist methodologies’:
Feminist Care Ethics:
Fiona Robinson, ‘The Ethics of Care: A Feminist Approach to Human Security’, 2011, quoted in Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 (p.168) <https://doi.org/10.1386/aps_00014_1> [accessed 10 March 2021]
Feminist Solidarity and Transnational Feminist Praxis:
Kumari Jayawardena, Feminism and Nationalism in the Third World, The Feminist Classics (London; New York: Verso, 2016)
’time’:
Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 p. 166.<https://doi.org/10.1386/aps_00014_1>. [accessed 10 March 2021]
’story’:
Saidaya Hartman, ‘Venus in Two Acts’, Small Axe: A Caribbean Journal of Criticism, 12.2 (2008), 1–14 (p. 2) <https://doi.org/10.1215/-12-2-1>.
‘The needle is used to repair damage, it's claim to forgiveness’:
Louise Bourgeois in Storr ‘The Art and Life of Louise Bourgeois’, 2016, quoted in Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 (p.170) <https://doi.org/10.1386/aps_00014_1> [accessed 10 March 2021]
Statement:
‘soft essays’ - this is my own term developed through consideration of fabric compositions and the way they bring together ideas, philosophies, materiality and methodologies
'value can be reimagined’:
Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 <https://doi.org/10.1386/aps_00014_1>. [accessed 10 March 2021]
'the movement for environmental and social justice entitled sustainability’:
The slow factory the definition of sustainability which I apply to my practice was coined by human rights and environmental justice organisation ‘The Slow Factory’, as the meeting place between social justice and environmental justice - Celine Semaan, @CelineCelines <https://www.instagram.com/p/B354zngADIB/>. [accessed 1 August 2021]
'opaque structures’ -
the words ‘opaque structures of history and power’ are from artist Rana Begum during an RCA Critical and Historical Studies lecture only available to students
'making visible as an act of care’ -
Rebecca Mayo, ‘Matters of care: Art practice and Urban ecologies’, (2018), quoted in Jacqueline Millner, ‘Caring through Art: Reimagining Value as Political Practice’, Art & the Public Sphere, 8.2 (2019), 163–74 (p.164) <https://doi.org/10.1386/aps_00014_1>. [accessed 10 March 2021]
Caring Cloth:
‘The needle is used to repair damage, its claim to forgiveness’
As before
Caring Cloth Diagram - references on request
‘Undoing’
‘devotional citation’:
‘“Devotional Citation” | Storm Greenwood’, Mysite <https://www.stormgreenwood.com/devotional-citation> [accessed 31 January 2022].
‘Hers is a story told by failed witness, no one remembered her name’:
S. Hartman, ‘Venus in Two Acts’, Small Axe: A Caribbean Journal of Criticism, 12.2 (2008), 1–14 (p. 2)
<https://doi.org/10.1215/-12-2-1>.
‘I wish you would disappear is what you say when you stay silent’:
‘Kate Baer (@katejbaer) • Instagram Photos and Videos’ <https://www.instagram.com/p/CA30aZfD465/> [accessed 31 January 2022].
‘making visible as a practice of care’:
as before
‘cease such haunting legacies and restitching alternative figurations’:
Sera Waters, ‘The Unsettling Truths of Settling: Ghostscapes in Domestic Textiles’, TEXTILE, 17.4 (2019), 378–90 (p.388) <https://doi.org/10.1080/14759756.2019.1639418>[accessed 15 March 2021]
‘To make transparent the opaque structures of history and power’:
as before